Michelangelo Consani
Livorno, 1971. Lives & works in Castell’Anselmo (LI), Italy
Works
Biography
Solo Exhibitions
2011
The car is on the vegetable!, curated by Alessandro Romanini, MUSA –Museo Multimediale della Scultura e dell’Architettura, Pietrasanta (I)
Ancora ancora la nave al porto, curated by Mario Commone and Matteo Lucchetti, CAMeC, La Spezia (I)
Michelangelo Consani – M.H.G. Three Personalities For A New Ecological Memory, curated by Emilio Antognoli, Emily Barsi and Daniela Stöppel, Kunstraum München, (Germany)
La festa è finita/The party's over, Fabio Tiboni - Sponda, Bologna (I)
2010
Dynamo, curated by Lorenzo Giusti and Arabella Natalini, EX3 Centro per l’Arte Contemporanea, Firenze (I)
2008
Progetto di disperdere energia, White Project, Pescara (I)
Quanto può durare un secondo?, curated by Katia Anguelova and Alessandra Poggianti, Nicola Ricci Arte Contemporanea, Pietrasanta (I)
2005
Anarchica morte di un occidentale, curated by Paolo Emilio Antognoli and Alessandra Poggianti, White Project, Pescara (I)
2004
Crash Landing, curated by Michael Schwander, 2WK2, Berlin (Germany)
Progetto Dinamo: per una visione in contatto, curated by Ken Damy Museum, International Biennial of Photography, Brescia (I)
2002
Light+Building, curated by Wolfang Steng, Frankfurtmesse, Frankfurt (Germany)
Group Exhibitions
2011
4 progetti d'artista, Museo Pecci, Milano (I)
Made in Filandia 2011, Filanda di Pergine Valdarno (I)
Sparta, Circolo Aternino / Piazza Garibaldi / Galleria White Project, Pescara (I)
La specularità imperfetta, curated by R. Bianchini, Palazzo Gattini/ Chiesa di Santa Maria de’Armenis, Matera (I)
2010
Aichi Triennale, curated by Akira Tatehata, Masahiko Haito, Hinako Kasagi, Pier Luigi Tazzi and Jochen Volz, Nagoya (Japan)
Practicing Memory, curated by Matteo Lucchetti, Cittadellarte-Fondazione Pistoletto, Biella (I)
Niente da vedere tutto da vivere, curated by Lorenzo Bruni, parallel event of XIV International Biennial of Carrara, Carrara (I)
2009
Splav Meduze, curated by Marko Stamenkovic, Center for Contemporary Art Celje, Celje (Slovenia)
Invocare istanti, curated by Lorenzo Bruni, Dryphoto Arte Contemporanea, Prato (I)
Rites de passages, curated by Pier Luigi Tazzi and Rich Jacobs, SCHUNCK-Glaspaleis, Heerlen (Netherlands)
Glade to invite you, curated by Gian Paolo Striano, Mostra D’Oltremare, Naples (I)
Loop, curated by Pier Luigi Tazzi, NEONcampobase, Bologna (I)
Usine de rêve, curated by Cecilia Casorati and Sabrina Vedovotto, 26cc, Rome (I)
Espansione (mobile), curated by Marta Casati, NEONcampobase, Bologna (I)
Comincia adesso!, curated by Stefano Taccone, Spazio Ventre, Naples (I)
2008
Eppi Femili (La famiglia sulla destra), curated by Pietro Gaglianò, Castello dell’Acciaiolo, Scandicci, Florence (I)
Seek refuge, curated by Marta Casati and Riccardo Lisi, parallel event of 11° International Biennial of Architecture, Venice (I)
Per adesso noi siamo qua, curated by Lorenzo Bruni, Villa Romana, Florence (I)
Z4 marginal zone, curated by Michela Pelusio, Villa Ockenburgh, Den Haag (Netherlands)
Permanent green, curated by Berth Theis, shutter in Pepe road, Milan (I)
Italiani in vacanza, curated by Pier Luigi Tazzi, Casa Masaccio, San Giovanni Val D’Arno (I)
2007
Cointaners project, curated by Paolo Emilio Antognoli, more venues, Fosdinovo (I)
Tra, curated by Stefano Verri, White Project, Pescara (I)
Suitcase illuminated #5 on Informal Economy, curated by Katia Anguelova and Alessandra Poggianti, P74 Center and Gallery, Ljubljana (Slovenia)
Mac/Val - Musee d'Art Contemporain du Val de Marne, Paris (France)
unDEAF, Dutch Electronic Art Festival, The Hangar space, Rotterdam (Netherlands)
2006
Visione sociale, curated by Stefano Taccone, Casina Pompeiana, Naples (I)
Premio Razzano per la giovane arte, selection curated by 35 Italian critics, Museo del Sannio, Benevento (I)
Belef, Belgrad summer Festival / on air, curated by Andrea Bruciati and Antonella Crippa, Kapetan Misino Zdanje Palace, Belgrad (Serbia)
Arte Dove 2006, curated by Paolo Emilio Antognoli and Alessandro Romanini, Oratorio della SS.Annunziata, Fosdinovo, Massa Carrara (I)
Strade bianche 2006 kill the butterfly, curated by Roberta Fossati and Elio Grazioli, Casale Marittimo, Pisa (I)
Arte per l’isola, curated by Marco Scotini, NABA New Academy of Fine Art, Milan (I)
La necessità di un’isola, curated by Alessandra Poggianti and Berth Theis, Isola Art Center, Milan (I)
Stazione di Livorno, curated by Alessandra Poggianti and Katia Anguelova, Fuoricentro, Livorno (I)
Arte Sociale, curated by Stefano Taccone, Palazzo del Consiglio Regionale della Campania, Naples (I)
2005
Sound check, curated by Marta Casati, Collegio Cairoli, Pavia (I)
Mediterraneo, curated by Paolo Emilio Antognoli and Alessandro Romanini, Castello Malaspina, Massa (I)
Blow-up, curated by Roberta Ridolfi, Museum of Conventino, Pesaro (I)
Fear, curated by Manuela Gandini, Artandgallery, Milan (I)
Arco 05, new territories, curated by Angela Vettese, Associazione Prometeo, Madrid (Spain)
On air: video in onda dall’Italia, curated by Andrea Bruciati and Antonella Crippa, la Pescheria della Rocca, Ravenna (I)
c/o careof , Milan (I)
2004
Arte per l’isola, curated by Giacinto di Pietroantonio and Lino Baldini, Isola Art Center, Milan (I)
Spread in Prato 2004, curated by Pier Luigi Tazzi, Dryphoto Arte Contemporanea, Prato (I)
Macrovideoteca, curated by Valentina Valentini, MACRO, Rome (I)
15 artisti si confrontano con l’opera di Neruda, curated by Irma Arestizábal and Antonio Arèvalo, Latin-America Institute, Rome (I)
On air short version, curated by Andrea Mi, Pecci Museum, Prato (I)
Viaggio in Italia, curated by Alessandro Romanini, Malaspina Castle, Massa (I)
Collezione permanente, curated by Enzo De Leonibus, Ex Manifattura Tabacchi Città S.Angelo, Pescara (I)
On air: video in onda dall’Italia, curated by Andrea Bruciati and Antonella Crippa, Galleria Comunale d’Arte Contemporanea, Monfalcone (I)
Kunst Meran in Haus der Sparkasse, Merano (I)
Fortino di S.Andrea, Bari (I)
2003
Artkliazma, Festival of Contemporary Art at the Klazminskoye Reservoir, curated by Jeffrey Deitch, Patricia Ellis, Laura Martin, Moscow (Russia)